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Jimbo
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i'm new here, what are everybody's top 5 films?

 

You can pick any 5 you want from....

 

There Will Be Blood/Magnolia

The Big Lebowski/Raising Arizona/Millers Crossing/O Brother Where Art Thou

Amelie

The Good, The Bad and The Ugly/Once Upon A Time In The West

Raging Bull/The King of Comedy

Pulp Fiction

Dancer In The Dark/Dogville/Manderlay

Irreversible

The Life Of Brian

Edited by Happy Face
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I'd honestly struggle to get it down to 10. And even then I'd miss loads out I'd forgotten about / not seen for years. 'Withnail and I' would always be in there like. I sort of classify my favourites as ones I'd have no problem watching time and again so I don't think I'd have 'Irreversible' in there :nufc:

Class as it is.

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I'd honestly struggle to get it down to 10. And even then I'd miss loads out I'd forgotten about / not seen for years. 'Withnail and I' would always be in there like. I sort of classify my favourites as ones I'd have no problem watching time and again so I don't think I'd have 'Irreversible' in there :nufc:

Class as it is.

 

Yeah, I never want to see it again, and pretty much the same with Dancer and that, but they completely blew me away like nothing else so they deserve a mention based on one viewing.

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I've seen it twice but it isn't quite as bad when you know what's going to happen. Although the rape scene isn't any easier 2nd time round.

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I'll go with a top ten (I can do three or ten but five is too difficult;

The Maltese Falcon

TGTB&TU

Star Wars

Millers Crossing

Paris Texas

Mullholland Drive

A Very Long Engagement

Seven

Pulp Fiction

The Philidelphia Story

 

Mind you other than that first three it would be a very different list tomorrow.

 

I watched They Live the other night which is pretty fun but not as good as Carpenters best work. Roddy Piper is a fucking awfull actor too. And last night I watched the original 3.10 To Yuma which is excellent.

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I don't think it's my top 5 of all time, but just my top 5 as I remember them affecting me at the time of first viewing.

 

The Godfather

Batman Begins

Jurassic Park

Crash (racist, not necrophilia)

The Matrix

 

At least two of those will probably not even feature in peoples top twenty, but it's more about the effects they had. Jurassic Park blew my mind, with the first genuine glimpse of what was possible with CGI in live action films. The same goes for the Matrix and it's bullet time and martial arts.

 

The Godfather is a timeless classic.

 

Batman Begins is there because it's one of the few "Comic book films" that has some degree of credibility/plausibility, the cast was exceptional and the movie worked well as a whole.

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Withnail & I

Goodfellas

Apocalypse Now

The Godfather I & II

Some Like It Hot

Oldboy

When We Were Kings

Butch Cassidy and the Sundance Kid

Casablanca

The Ladykillers (the original one)

Tremors

The Sting

The Big Lebowski

The Hill

Dog Day Afternoon

Serpico

The Good, The Bad and The Ugly

Ice Cold In Alex

For All Mankind

Pusher

City Of God

La Haine

Lovers Of The Artic Circle

Sex and Lucia

In The Mood For Love

Chinatown

etc, etc, etc.....

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some lovely lists. good to see some wong kai war love in the above list.

 

here's mine, in no order.

 

Trois Couleurs: Bleu [Kystof Kieslowski - 1993]

The Mirror [Andrei Tarkovsky - 1975]

Winter Light [ingmar Bergman - 1961]

Punch Drunk Love [Paul Thomas Anderson - 2002]

Weekend [Jean Luc Godard - 1967]

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It's getting a bit Parky isn't it?

 

:nufc:

 

i'm confused.

Parky, who mainly posts on N-O but also posts on here is noted for (amongst other things) having somewhat rarefied tastes in cinema. In fact he likes films that are so obscure, sometimes he hasn't even seen them yet.

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It's getting a bit Parky isn't it?

 

:nufc:

 

i'm confused.

 

 

Our other high brow critic. He hasn't seen most of the films he's banging on about though , so I hope you're the real deal.

 

Blue is quality, but I really liked white. I've yet to see The Decalogue but it's the only other Kieslowski I'm really drawn to. Would love some other recommendations of his stuff if you're into him. I think The Double Life of Veronica is the only other one of his I've seen and that was lush, though I never had a clue what was going on....which I guess was the point.

 

I love PTA, but have to say There Will be Blood and Magnolia do far more for me than Punch Drunk Love. I've got Hard Eight on pre-order.

 

Never seen the other three, but I've enjoyed what Bergman I have seen. Never even started on Godard or Tarkovsky though.

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It's getting a bit Parky isn't it?

 

:nufc:

 

i'm confused.

 

 

Our other high brow critic. He hasn't seen most of the films he's banging on about though , so I hope you're the real deal.

 

ha.

 

well i've seen all the films i bang on about. i'm a film student and i'm really into european / non-classical cinema and i think my taste reflects this. that being said, i've not seen everything and i'm open to anything.

 

yeah I agree White is wonderful, but it didn't leave such a last impression on me as Blue did, i love the sensory moments in Blue (scraping knuckles/the glacial movement of the chandlier), something which I feel is missing in the other work I've seen of Kieslowski's (a few of the Dekalogue's and the other Three Colours movies).

 

Tarkovsky, I'm just getting into but Mirror is utterly sublime. easily the most moving piece of cinema I've ever seen. Solaris is excellent as well, but is nowhere near the levels that Mirror hits. i can't really explain why Mirror is so brilliant, because on paper it sounds awful, but it just has to be seen (and believe me, i hate when people say that). i can't wait to see his other films.

 

Bergman is Bergman. you either love him or hate him. Winter Light is Bergman at his most nihilistic and despairing, and that's why I love it but equally it's so damning of the human condition that some may be put off by it.

 

his classic films (Persona, Wild Strawberries, Seventh Seal, Summer With Monika, Fanny & Alexander) are all fabulous but Winter Light definitely had the greatest effect on me.

 

and as for Punch Drunk Love, i think it's P.T. Anderson's best movie because it's easily his most concise. Magnolia is brilliant in moments but at times it feels incoherent and a little rambling, and i was quite unengaged with the Cop's storyline but when it's good, it's spectacular, the Tom Cruise monologue particuarly comes to mind. the same goes, more or less, for Boogie Nights and There Will Be Blood, probably more for the former than the latter.

 

There Will Be Blood is my favourite I've seen this year.

 

anyway. enough typing!

 

also, Crimes & Misdemeanors narrowly missed out on that Top 5.

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It's getting a bit Parky isn't it?

 

:nufc:

 

i'm confused.

 

 

Our other high brow critic. He hasn't seen most of the films he's banging on about though , so I hope you're the real deal.

 

ha.

 

well i've seen all the films i bang on about. i'm a film student and i'm really into european / non-classical cinema and i think my taste reflects this. that being said, i've not seen everything and i'm open to anything.

 

yeah I agree White is wonderful, but it didn't leave such a last impression on me as Blue did, i love the sensory moments in Blue (scraping knuckles/the glacial movement of the chandlier), something which I feel is missing in the other work I've seen of Kieslowski's (a few of the Dekalogue's and the other Three Colours movies).

 

Tarkovsky, I'm just getting into but Mirror is utterly sublime. easily the most moving piece of cinema I've ever seen. Solaris is excellent as well, but is nowhere near the levels that Mirror hits. i can't really explain why Mirror is so brilliant, because on paper it sounds awful, but it just has to be seen (and believe me, i hate when people say that). i can't wait to see his other films.

 

Bergman is Bergman. you either love him or hate him. Winter Light is Bergman at his most nihilistic and despairing, and that's why I love it but equally it's so damning of the human condition that some may be put off by it.

 

his classic films (Persona, Wild Strawberries, Seventh Seal, Summer With Monika, Fanny & Alexander) are all fabulous but Winter Light definitely had the greatest effect on me.

 

and as for Punch Drunk Love, i think it's P.T. Anderson's best movie because it's easily his most concise. Magnolia is brilliant in moments but at times it feels incoherent and a little rambling, and i was quite unengaged with the Cop's storyline but when it's good, it's spectacular, the Tom Cruise monologue particuarly comes to mind. the same goes, more or less, for Boogie Nights and There Will Be Blood, probably more for the former than the latter.

 

There Will Be Blood is my favourite I've seen this year.

 

anyway. enough typing!

 

also, Crimes & Misdemeanors narrowly missed out on that Top 5.

 

 

Yeah, I've watched all those Bergman ones with variable responses. Wild Strawberries is probably my favourite.

 

I think I was put off Tarkovsky by Soderberg's remake of Solaris. Shouldn't really tar him with that brush but it was dull as an Allardyce team sent out to defend.

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i've not seen the Soderberg adaption but i know it's considerably shorter than Tarkovsky's so maybe that didn't help evoke the original's themes and style (which is slow but aesthetically engaging and involving).

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