Park Life

I'm a big fan of N'Zogbia and would like us to hang on to him as I still think he is an exceptional talent. But Barton and Geremi are better suited to the current formation with their defensive and positional abilities. N'Zogbia has been best used wide left so far. I reckon he could do a very good job behind the strikers without many defensive duties, but failed to impress most times he played there. That's why Owen is the best option we do have for it at the moment. Edit: Or in short words: As alex already said. unusually inefficient of you Isegrim. I think if the Zog can be patient, we'll change our system for next year. This formation strikes me as a marriage of convenience, not Keegans preferred style of play. It's playing what he can with his best players/performers. Next season we may revert to a 442, or maybe an altered 451 or who knows? I agree, whilst Keegan deserves alot of credit for seeing this and switching to it to great effect and thought of the completely different use of Owen, i imagine with his own signings we'll see more 4-4-2 than 4-3-3, but maybe he'll be tempted to use both when he sees fit. Or we could go with my preferred choice of 3-5-2 that always works! When the new players come in we'll go 442 imo.

That reminds me "The Two Jakes" Nicholson directed follow up to Chinatown has some redeeming qualities.

The Last Detail is a fantastic character study iirc.

Nah that was me just discovered how to make the Utube thing work.

There is a 1975 version of 'Ringo' (the outlaw) that 2Jeeps should look out for. http://www.alexcox.com/venice.htm

And I still haven't. Only ones I've seen of that lot.

The image doesn't play right. A pr fuck up of sorts I guess.

Never heard of it. Will keep an eye for it though. Parky recommends. *And yes I've seen it.

Is there any other way dahlink? I wouldn't know. Pinching bottles of wine out of the Flybe exec lounge is as posh as it gets for me.

Got the new album? I'm enjoying it very much. Will be getting it soonest. Couldn't find it in Deutschland yesterday.

Is there any other way dahlink?

Been to Cannes a couple of times to the festival full of cunts and producers trying to get seed money. Nothing special these days. Having said that they have been supportive of the likes of Mike Leigh. Venice is where it's at. yeah but it'd be sweet if my film was at Cannes. as much as people may knock it, Cannes is still the interntional film festival. Don't get me wrong I like Cannes and things can happen there. There is still a good core philosophy of protecting and encouraging good work, but it is a tad over commercialised now. In the context of Lynch Cannes is immaterial they either love or hate his projects, but he is a great artist and beyond all that now. It was a shame back in the day that the De Laurentis production of Dune kinda destroyed him for the commercial markets. You'll never forgive them for rewarding Taranteeny will you?

Been to Cannes a couple of times to the festival full of cunts and producers trying to get seed money. Nothing special these days. Having said that they have been supportive of the likes of Mike Leigh. Venice is where it's at. yeah but it'd be sweet if my film was at Cannes. as much as people may knock it, Cannes is still the interntional film festival. Don't get me wrong I like Cannes and things can happen there. There is still a good core philosophy of protecting and encouraging good work, but it is a tad over commercialised now. In the context of Lynch Cannes is immaterial they either love or hate his projects, but he is a great artist and beyond all that now. It was a shame back in the day that the De Laurentis production of Dune kinda destroyed him for the commercial markets. the thing is. whilst the festival itself maybe over commercialised, the work presented there every year hasn't lost it's power or importance over the years. it's just everything around it has. Yes. If you want to make films you shouldn't really give a tinkers cuss about festival juries. **Anyway they gave him best director (shared) for Mulholland Drive. 2001. If I was Lynch I'd move to Paris. They really appreciate him as do Berlin.

Been to Cannes a couple of times to the festival full of cunts and producers trying to get seed money. Nothing special these days. Having said that they have been supportive of the likes of Mike Leigh. Venice is where it's at. yeah but it'd be sweet if my film was at Cannes. as much as people may knock it, Cannes is still the interntional film festival. Don't get me wrong I like Cannes and things can happen there. There is still a good core philosophy of protecting and encouraging good work, but it is a tad over commercialised now. In the context of Lynch Cannes is immaterial they either love or hate his projects, but he is a great artist and beyond all that now. It was a shame back in the day that the De Laurentis production of Dune kinda destroyed him for the commercial markets.

Been to Cannes a couple of times to the festival full of cunts and producers trying to get seed money. Nothing special these days. Having said that they have been supportive of the likes of Mike Leigh. Venice is where it's at. That's a pretentious post, even by your standards mate I don't like to let my followers down.

Been to Cannes a couple of times to the festival full of cunts and producers trying to get seed money. Nothing special these days. Having said that they have been supportive of the likes of Mike Leigh. Venice is where it's at.

King of Comedy is a fanstatic bedroom film if you've got a full length mirror to hand for re-enactments.

Fire walk with me is an incredible film in many ways and I'm a big fan of his. It was disliked not universally panned. The problem Lynch had was that films like Blue Velvet kind of attracted the film semiotics and hippie post Camden intellectual crowd. hah. well it got booed at Cannes and made 4 million dollars in gross revenue. i'd call that universally panned - critically and by the public. I meant by his fans. Getting booed at Cannes is what one aims for....

The car revving scene at the lights is one of the big Lynch moments..."Its him"...etc..

Mint though. Phillip Seymour Hoffman is pure class.

Fire walk with me is an incredible film in many ways and I'm a big fan of his. It was disliked not universally panned. The problem Lynch had was that films like Blue Velvet kind of attracted the film semiotics and hippie post Camden intellectual crowd.

Did you now?

Vicarious-tastic. What else is there to look forward to?

Post of the thread.

Didn't someone mention that the average premier league wage at it's peak was £13k/week? Give him that. Knock a bit off for perpetual grinning and pointing at other players. He was gutted Keegan made sure the whole team made a point of going right over to the away fans after the whistle. His desparate, arse licking, I love the club as much as all you schtick would have been far less noticeable as a result. I'm sure he'll still have been last man off though. ...pointing and grinning as he goes...